Ironies and Paradoxes :: Literary Writing Essays

Ironies and Paradoxes ABSTRACT: In contemporary literary culture there is a widespread belief that ironies and paradoxes are closely akin. This is due to the importance that is given to the use of language in contemporary estimations of literature. Ironies and paradoxes seem to embody the sorts of a linguistic rebellion, innovation, deviation, and play, that have throughout this century become the dominant criteria of literary value. The association of irony with paradox, and of both with literature, is often ascribed to the New Criticism, and more specifically to Cleanth Brooks. Brooks, however, used the two terms in a manner that was unconventional, even eccentric, and that differed significantly from their use in figurative theory. I therefore examine irony and paradox as verbal figures, noting their characteristic features and criteria, and, in particular, how they differ from one another (for instance, a paradox means exactly what it says whereas an irony does not). I argue that irony and paradox â⠂¬â€ as understood by Brooks — have important affinities with irony and paradox as figures, but that they must be regarded as quite distinct, both in figurative theory and in Brooks’ extended sense. In contemporary literary culture there is a widespread belief, or feeling, that ironies and paradoxes are closely akin. This is due in part to the huge importance that is given to the use of language in contemporary descriptions and estimations of literature. Ironies and paradoxes seem to reflect and embody the sorts of linguistic rebellion, innovation, deviation, and play, that have throughout this century become the dominant criteria of literary value. The explicit association of irony with paradox, and of both with literature, is often ascribed to the New Criticism, and more specifically to Cleanth Brooks. Brooks, however, used the two terms in a manner that was unconventional, even eccentric. He seemed to think of irony as a principle of order and unity: not so much a feature of language or meaning as a sort of coherence yoking disparate elements together, rather like Aristotle's conception of wholeness and integrity in Poetics 8 (Brooks 1951). As for paradox, Brooks seemed to regard it as a quality in language very like Viktor Shklovsky's defamiliarisation: that is, a deviation from conventional language designed to wrench our perceptions and our thoughts into unaccustomed, and therefore enlightening, pathways. Paradox, in this view, is a device which compensates for the limitations of conventional language, and is thus the only way in which poets can express the unconventional insights that are their stock in trade.

Communication Ia

INTRODUCTION For this Portfolio, the theme I chose was ‘Peer Pressure in Sport'. Even though Peer Pressure is a broad topic, personally, I chose this theme because of my observations and experiences developed due to my involvement in sports and with other athletes. This topic can assist my academic background by showing me how to deal with people. It can also help me with my future career of being a professional rugby player where I can learn to cope and deal with issues that may come my way. This theme would be portrayed in a short dialogue where it would be analyzed and discussed.A dialogue about a group of youths who are given an opportunity to show their talent where only seven players were needed. This caused a player to stop the sport because he wasn't chosen. This genre was chosen because in my view, the theme was placed in a context where the reader can read and understand the points that would be brought forward without having to read between the lines. For my Exposito ry, the Primary Source that would be used is a Questionnaire and the Secondary Source would be a website, www. bbc. com. These sources would assist my investigation and my research question. PREFACEPeer Pressure is the influence exerted by a peer group or an individual, encouraging other individuals to change their attitudes, values or behaviors in order to conform to group norms. This reflective is exhibited in as a dialogue because I believe that readers may better understand the concept when placed in a real life situation. This piece shows a group of teenagers from around the neighborhood, mainly footballers, who are subjected to pick their best six players and a keeper for a tournament. The setting of the dramatic piece is taken in a neighborhood.This piece was produced and intended for a teenage audience who participate in sport activities or teenagers who watch sports. The type of language used in the reflective would allow them relate to the situation and also allow a little comic relief. This piece is expected to target the specified audience because of the negative and positive impacts on youths. They can also relate to experiencing or observing this type of situation or one similar in any sport they play or that they would like to play. This dialogue can be used at a school or at a presentation amongst teenage athletes.This would allow them REFLECTIVE Scene 1 This scene begins on the corner of Tern Drive. This occurs in the evening time when the youths of the neighborhood usually come out their houses to hang out. Kerry: Wah going on fellas? Wats d vybz. Jody: I’m alright and you? Keevyn: I just dey for d while. Curtis: Wats the plan tonight fellas? Sweat awa? Brian: Yeah, I for dat. Allyuh hadda call out d rest ah them though. Five ah we cyah sweat alone. Kerry: Yeah boi Keevyn. You have d bike so start pedaling cuz I not walking. We would meet ur on d field. Keevyn: Steupzz, always doing me this yes.Waheva, I would meet allyuh on d field. ( Everyone departs, Keevyn on his bike to call out the others and the rest walking away to the field. ) Scene 2 On the field the friendly game of football begins. It goes on for a while, while other guys appear to partake in the custom. An unknown man also appears to watch the game. After a shot was taken wide of the goal he calls in everyone. Mr. Mac: Youths Come! Come! May I have a few seconds of your playing time? Kerry: Wam pops, what you want? I hope is not any Jehovah witness thing. (Everyone laughs) Mr. Mac: No , my name is Mr.Mac I want to place an offer for you young footballers. Curtis: Well hurry up. Talk fast cuz d lights does come off ten. Mr. Mac: I am hosting a tournament in the indoor facility in Chaguanas. It is six and a keeper tournament but it’s only one more side I need. So choose your best six and let me know. The prize is $6,000. 00 and free to enter. (They all become enthusiastic about it and start talking amongst themselves. ) Kerry: Aite fellas. All ah we look interested, so we for it. Jody: Well I guess Keevyn would be the goalkeeper because he is very good in the goal post.Keevyn: Waheva, don’t matter to me. Just choose a good side cuz if I get more than 3 I walking off. Kerry: Aite, the side is me, Keevyn, Curtis, Jody, Brian, Beans and Muscle Frog. Che: So what bout me? I way better dan Beans. He is rel filth and he rel slow. Brian: Nah Che. Beans having ting. He is a good playmaker. He could reach rel far dawg. You on the other hand should stop play football on a whole. Imagine you on d reserve side for Couva Sec. relax dawg. Khellon: (laughing scandalously) You have one seta cricketers starting before you. Best you really stop yes. Che: Steupzz forget allyuh boy dan.I going home. That why allyuh not going to win anything. (Che walks off very angrily talking to himself and kicking the floor. ) Mr. Mac: OK. Enough with that petty squabble. Here is my card, (He hands Kerry the card) and you can call me to register the n ames of the players you have chosen. I have some more pressing matters to attend to so my time is short. Good Bye for now. (Mr. Mac makes his departure and the boys go back to play football. ) Scene 3 The team they carried to the tournament won it and some of the players were scouted for Pro League teams.They all came out to have their evening sweat a week after for the first time since the tournament. They sent Keevyn to call out the rest of players. Keevyn: Che! Che! Afternoon! Sweat boi. (Che walks outside to his gate) Che: Nah boi, me and football is not no friend again. I realize allyuh men was talking sense last time so forget it. Keevyn: (laughs softly) You serious dan. Waheva dawgie you do your ting. Che: Yea boi allyuh is rel fake friend. (Che walks back inside his house while Keevyn rides away to call out the rest of the players. (Keevyn reaches the field already sweating to meet some of the guys juggling the ball. ) Keevyn: Eh allyuh know d youth man really stop play foot ball. Jody: Who are you talking about? Keevyn: Che boi! D man say we was telling d truth when Mr. Mac was here. So he really stops play football. Kerry: (With a puzzled look on his face) Hmm. He cyah be serious. Waheva yes. Forget bout he. If he cyah take talk, football is really not for him. Jody: So are we going to stand and talk for the rest of the night or play football? Everyone realizes then run unto the field to begin the match. ) ANALYTICAL This analysis is written to show the different aspects of communication. The genre of work that would be analyzed is a dramatic piece. The aspects of communication that would ensure a proper analysis are the registers used and the dialectal variations exhibited. The reflective was written to give off a comedic effect to try to keep the intended audience alert and not bore them, but also put across the points that were needed to show them situation at hand.It was also written presupposing that the readers have encountered or will encounter experiences to which they can relate and base their discernment upon the devices employed in the piece. Throughout the piece, an informal register was used amongst the youths of the neighborhood. This can be shown because of the types of slangs used. Register is the kind of language used that is appropriate to a particular context or situation. For example â€Å"Wah going on fellas? Wats d vybz? † This type of language was used because of how they have been friends for a great period of time and that they play football together.However, a more formal tone is exchanged between Mr. Mac and the youths, e. g. â€Å": Youths Come! Come! May I have a few seconds of your playing time? †. This level of formality is due to the fact that Mr. Mac was meeting them for the first time. Mr. Mac and Jody are the only two characters who spoke Standard English and applying the acrolect variation. Mr. Mac’s use of the language may have been because of his social status or that he wanted to sound as if he actually does have status to promote his tournament. It may have also been because he was well educated.Jody, however, may have just grown up in an environment where the language he speaks is favored more, seeing that he speaks the language even in an informal setting. The rest of the characters spoke a more basilect variation of the language. This may have been because of the setting and that they are comfortable with the language they speak or that they came from a lower class. Many of the youth’s speech contained typical creole structure such as the replacement of the ‘th’ with the ‘d’ as shown in the example â€Å"Eh allyuh know d youth man.. †. Communication Ia INTRODUCTION For this Portfolio, the theme I chose was ‘Peer Pressure in Sport'. Even though Peer Pressure is a broad topic, personally, I chose this theme because of my observations and experiences developed due to my involvement in sports and with other athletes. This topic can assist my academic background by showing me how to deal with people. It can also help me with my future career of being a professional rugby player where I can learn to cope and deal with issues that may come my way. This theme would be portrayed in a short dialogue where it would be analyzed and discussed.A dialogue about a group of youths who are given an opportunity to show their talent where only seven players were needed. This caused a player to stop the sport because he wasn't chosen. This genre was chosen because in my view, the theme was placed in a context where the reader can read and understand the points that would be brought forward without having to read between the lines. For my Exposito ry, the Primary Source that would be used is a Questionnaire and the Secondary Source would be a website, www. bbc. com. These sources would assist my investigation and my research question. PREFACEPeer Pressure is the influence exerted by a peer group or an individual, encouraging other individuals to change their attitudes, values or behaviors in order to conform to group norms. This reflective is exhibited in as a dialogue because I believe that readers may better understand the concept when placed in a real life situation. This piece shows a group of teenagers from around the neighborhood, mainly footballers, who are subjected to pick their best six players and a keeper for a tournament. The setting of the dramatic piece is taken in a neighborhood.This piece was produced and intended for a teenage audience who participate in sport activities or teenagers who watch sports. The type of language used in the reflective would allow them relate to the situation and also allow a little comic relief. This piece is expected to target the specified audience because of the negative and positive impacts on youths. They can also relate to experiencing or observing this type of situation or one similar in any sport they play or that they would like to play. This dialogue can be used at a school or at a presentation amongst teenage athletes.This would allow them REFLECTIVE Scene 1 This scene begins on the corner of Tern Drive. This occurs in the evening time when the youths of the neighborhood usually come out their houses to hang out. Kerry: Wah going on fellas? Wats d vybz. Jody: I’m alright and you? Keevyn: I just dey for d while. Curtis: Wats the plan tonight fellas? Sweat awa? Brian: Yeah, I for dat. Allyuh hadda call out d rest ah them though. Five ah we cyah sweat alone. Kerry: Yeah boi Keevyn. You have d bike so start pedaling cuz I not walking. We would meet ur on d field. Keevyn: Steupzz, always doing me this yes.Waheva, I would meet allyuh on d field. ( Everyone departs, Keevyn on his bike to call out the others and the rest walking away to the field. ) Scene 2 On the field the friendly game of football begins. It goes on for a while, while other guys appear to partake in the custom. An unknown man also appears to watch the game. After a shot was taken wide of the goal he calls in everyone. Mr. Mac: Youths Come! Come! May I have a few seconds of your playing time? Kerry: Wam pops, what you want? I hope is not any Jehovah witness thing. (Everyone laughs) Mr. Mac: No , my name is Mr.Mac I want to place an offer for you young footballers. Curtis: Well hurry up. Talk fast cuz d lights does come off ten. Mr. Mac: I am hosting a tournament in the indoor facility in Chaguanas. It is six and a keeper tournament but it’s only one more side I need. So choose your best six and let me know. The prize is $6,000. 00 and free to enter. (They all become enthusiastic about it and start talking amongst themselves. ) Kerry: Aite fellas. All ah we look interested, so we for it. Jody: Well I guess Keevyn would be the goalkeeper because he is very good in the goal post.Keevyn: Waheva, don’t matter to me. Just choose a good side cuz if I get more than 3 I walking off. Kerry: Aite, the side is me, Keevyn, Curtis, Jody, Brian, Beans and Muscle Frog. Che: So what bout me? I way better dan Beans. He is rel filth and he rel slow. Brian: Nah Che. Beans having ting. He is a good playmaker. He could reach rel far dawg. You on the other hand should stop play football on a whole. Imagine you on d reserve side for Couva Sec. relax dawg. Khellon: (laughing scandalously) You have one seta cricketers starting before you. Best you really stop yes. Che: Steupzz forget allyuh boy dan.I going home. That why allyuh not going to win anything. (Che walks off very angrily talking to himself and kicking the floor. ) Mr. Mac: OK. Enough with that petty squabble. Here is my card, (He hands Kerry the card) and you can call me to register the n ames of the players you have chosen. I have some more pressing matters to attend to so my time is short. Good Bye for now. (Mr. Mac makes his departure and the boys go back to play football. ) Scene 3 The team they carried to the tournament won it and some of the players were scouted for Pro League teams.They all came out to have their evening sweat a week after for the first time since the tournament. They sent Keevyn to call out the rest of players. Keevyn: Che! Che! Afternoon! Sweat boi. (Che walks outside to his gate) Che: Nah boi, me and football is not no friend again. I realize allyuh men was talking sense last time so forget it. Keevyn: (laughs softly) You serious dan. Waheva dawgie you do your ting. Che: Yea boi allyuh is rel fake friend. (Che walks back inside his house while Keevyn rides away to call out the rest of the players. (Keevyn reaches the field already sweating to meet some of the guys juggling the ball. ) Keevyn: Eh allyuh know d youth man really stop play foot ball. Jody: Who are you talking about? Keevyn: Che boi! D man say we was telling d truth when Mr. Mac was here. So he really stops play football. Kerry: (With a puzzled look on his face) Hmm. He cyah be serious. Waheva yes. Forget bout he. If he cyah take talk, football is really not for him. Jody: So are we going to stand and talk for the rest of the night or play football? Everyone realizes then run unto the field to begin the match. ) ANALYTICAL This analysis is written to show the different aspects of communication. The genre of work that would be analyzed is a dramatic piece. The aspects of communication that would ensure a proper analysis are the registers used and the dialectal variations exhibited. The reflective was written to give off a comedic effect to try to keep the intended audience alert and not bore them, but also put across the points that were needed to show them situation at hand.It was also written presupposing that the readers have encountered or will encounter experiences to which they can relate and base their discernment upon the devices employed in the piece. Throughout the piece, an informal register was used amongst the youths of the neighborhood. This can be shown because of the types of slangs used. Register is the kind of language used that is appropriate to a particular context or situation. For example â€Å"Wah going on fellas? Wats d vybz? † This type of language was used because of how they have been friends for a great period of time and that they play football together.However, a more formal tone is exchanged between Mr. Mac and the youths, e. g. â€Å": Youths Come! Come! May I have a few seconds of your playing time? †. This level of formality is due to the fact that Mr. Mac was meeting them for the first time. Mr. Mac and Jody are the only two characters who spoke Standard English and applying the acrolect variation. Mr. Mac’s use of the language may have been because of his social status or that he wanted to sound as if he actually does have status to promote his tournament. It may have also been because he was well educated.Jody, however, may have just grown up in an environment where the language he speaks is favored more, seeing that he speaks the language even in an informal setting. The rest of the characters spoke a more basilect variation of the language. This may have been because of the setting and that they are comfortable with the language they speak or that they came from a lower class. Many of the youth’s speech contained typical creole structure such as the replacement of the ‘th’ with the ‘d’ as shown in the example â€Å"Eh allyuh know d youth man.. †.

7 Green Cars Of The Future What We’ll Be Driving In 2025

Obesity A Huge Problem - 1318 Words

In our society, obesity in children becomes a huge problem because around one third of all of the children and adolescence in USA are suffering from it. More importantly, those numbers keep increasing. Jack Shonkoff, MD mentions that children who are obese are at greater risk for diabetes, later hypertension of heart disease, asthma and a variety of other health problems (HBO Docs, 2012). Francis Collins also emphasizes that obesity puts children at greater risk of cancer and brain diseases later on in life (HBO Docs, 2012). In addition, Dr. Elsie Teveras states that she is afraid that we will have the first generation of children, whose life expectance will be lower than their parent’s (HBO Docs, 2012). It was also clearly stated that as†¦show more content†¦They may also feel peer pressured to eat junk food to look cool with their friends because they are lacking the ability of social imagination and are unable â€Å"to think [themselves] away from the familiar rou tines of everyday life and look at them from an entirely new perspective† (Joachim Vogt Isaksen, 2013). They go through a process of socialization learning from their peers and media what are the norms that are accepted by the society. Before the industrial revolution, there were a lot of farmers and families grew their own healthy and nutritious crops. However after the industrial revolution â€Å"families related more directly to the state, the market, and the mass media† (Coontz, 1997) which caused them to change their nutrition habits as well. But although mass media and peers could push a child to making some poor choices, parents could not completely isolate their children because there are many cases when isolated children could not develop into a mature adult. Anna is one of those examples whose â€Å"slowness is probably explained by long isolation† (Kingsley, 1937). As a primary socialization, parents could only teach their children how to make good cho ices, and help their children build a good sense of self. All of the parents from the HBO Docs were helping their children to choose the right food, exercise and accept themselves the way they are. If their parents teach them all of those things from the beginning, it will become a part of their

I Want Key Card Locks And Metal Detectors - 881 Words

3. How to Make Schools Safe To begin with, the first thing I will do to make schools safer is to install key card locks and metal detectors in every entrance. The reason why I want key card locks is because only faculty and students would have special key cards that would let them into the building and people without the key cards could not enter the building. This prevents any unauthorized personal to enter the building and endanger the faculty and students. The reason why schools need metal sectors is to make sure faculty or students are not carrying a dangerous weapon with them. Also, the schools should bring in a Police Officer so the kids can be educated by a person who knows about safety and protection. This will give students a better knowledge of gun safely. Another, idea is to have a gun drive in the local community. The reason why we should have a gun drive so people could trade in their guns for money. The reason why this is important is because young kids are curious and adventures. They can find a nything in the house even if the parent puts stuff in a safe place. I guarantee kids will find items even though parents thought the area was a safe place. Kids will find items like guns because they think it looks cool and will bring them to school to show their friends. Then a kid will be injured or killed because they were playing with the weapon during recess or gym. Therefore, a gun drive would eliminate guns from homes because parents can not watch their kidsShow MoreRelated Public Vrs. Private Essay2244 Words   |  9 Pagesbusiness as usual you think. You and your friends walk up to the door and wait in line for the metal detectors. You put your keys in the tray and walk through the detector, it goes off. Two cops walk up to check your backpack. Pager in the pocket got to go back to the car and put it away. Back through the metal detectors and they do not go off, thank God. 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Saving Ourselves †Shark Hunting Free Essays

Two-thirds of world’s surface is water, and over 80% of life on Earth lives in the ocean. Ocean plays a main role in regulating climate and feeding much of the planet. But in past a hundred years people were destroying the balance in the ocean and the ecosystem. We will write a custom essay sample on Saving Ourselves – Shark Hunting or any similar topic only for you Order Now One of the major activities is illegal shark poaching. Every year 30 to 70 million sharks are killed to support a growing worldwide trade in their fins and other products. Now, more than three hundred species of sharks are endangered. Shark-finning became a profits industry due to the increasing demand for shark-fin soup in Asia. â€Å"One pound of fin is worth more than $200US and the shark-fin industry is a billion-dollar juggernaut. †(Sharkwater) The shark-fin soup had been around for centuries, but only in the last two decades that it boomed in popularity. It is a symbol of wealth, and served as a sign of respect. Sharks-fins soup is a delicacy in Asia, which is utterly ludicrous given that the fins themselves are tasteless and merely add texture. Yong) And people believe that sharks don’t get sick as easily as other animals do. They also think they have magical power to heal and people can be stronger from eating shark-fins soup. The cartilage is also being sold as a cancer or arthritis treatment; however, here is no scientific backing to this at all. Over 90% of the shark population in the world is gone now, and soon there won’t be any left, if people keep killing sharks. (Sharkwater) Ev ery day people is just talking about saving pandas, elephants and bears, but here is no any international regulations to protect sharks. Why? It is because we’ve been told in our whole life, since we’re a kid, sharks are dangerous. We’re warned if we swim too far into the ocean. Most information of sharks that people hear about is from media. For instance, afraid of white shark is based on the movie Jaws, and the misconception is still floating around. However, the fact is sharks do not eat people, and they rarely bite human beings and hardly have really serious bites. Although in the odd case where someone dies, it’s usually because of the loss of blood, not because the shark ate the person. Sharkwater) Sharks kill 5 people each year, elephants kill 100. Even more people die from soda pop machines than sharks do. There is nothing like what we’re told. There is nothing like what we think. There is nothing like what we believe. â€Å"One animal that we fear the most is the one we can’t live without. †(Sharkwater) They’ve been here for more than 400 million years, 150 million years before the dinosaurs, when life had just begun on land. Sharks control the population below them, eliminating species that were easy prey and creating new ones. They are perfect predators that keep balance in the underwater world. The top predators are fundamental in controlling the structure and the functioning of the ecosystems. As we know, carbon dioxide is the global-warming gas and plankton converts it to oxygen, providing 70% of the oxygen we breathe on land. Without sharks to prey the animals at bottom of the food chain, they could grow out of control consuming the plankton that we depend on for survival. (Sharkwater) Life on land depends on life in the ocean, so do us. One the big reason shark poaching continues to go on is because we don’t see it. Because we don’t see people are poaching sharks, cutting off their fins and throwing them back into the ocean; without fins they can’t breathe, then die. Because we don’t see the corruption between the government and sharks-fin Mafia, hundreds of millions shark-fins were dried on the roof without any restrictions. Because we don’t see every day the shark population is declining, more than three hundred species of sharks face misfortune. We don’t like spiders and snakes but puppy and seals. Once we see sharks in a different light, we can change our mind. Stop illegal shark poaching and promulgated regulations is not only saving the sharks but saving ourselves as well. We’re not the god, we can’t shape the world. What we can do now is to call everyone to stop eating shark-fins, to against the illegal shark poaching, and to save the planet from ourselves and our future. Work Citied Sharkwater. Dir. Rob Stewart. † 2006, Film. Yong, Ed. â€Å"Shark-hunting harms animals at bottom of the food chain. † wordpress. com (2007): n. pag. Web. 14 Feb 2011. . How to cite Saving Ourselves – Shark Hunting, Papers

Hamlet scene by scene Essay Example For Students

Hamlet scene by scene Essay Some time has passed. From Ophelias remarks in III.ii. (which happens the day after II.i), we learn that Old Hamlet has now been dead for four months. Shakespeare telescopes time. We learn (in this scene) that Ophelia has (on Poloniuss orders) refused to accept love letters from Hamlet and told him not to come near her. We learn in the next scene (which follows soon after) that the king and queen have sent to Wittenberg for Hamlets long-time friends, Rosencrantz and Guildenstern (two common Danish surnames), and that they are now here. Hamlet has been walking around aimlessly in the palace for up to four hours at a time. Polonius, in private, sends his servant Reynaldo to spy on Laertes. Polonius reminds him of how an effective spy asks open-ended questions and tells little suggestive lies. Polonius likes to spy. Ophelia comes in, obviously upset. She describes Hamlets barging into her bedroom, with his doublet all unbraced (wed say, his shirt open in front), his dirty socks crunched down, and pale and knock-kneed, as if he had been loosd out of hell / to speak of horrors. Or, as might say, as if hed seen a ghost. Hamlet grabbed her wrist, stared at her face, sighed, let her go, and walked out the door backwards. Whats happened? Hamlet, who has set about to feign mental illness, is actually just acting on his own very genuine feelings. Hamlet cares very much about Ophelia. He must have hoped for a happy life with her. Now it is painfully obvious that they are both prisoners of a system that will never allow them to have the happiness that they should. When Hamlet act like a flesh-and-blood human being showing authentic emotions, people like Polonius will say he is insane. And Polonius suggests Hamlet is lovesick. Maybe Polonius really believes this. Maybe he just realized that perhaps his daughter might be the next Queen of Denmark. II.ii. The king and queen welcome Rosencrantz and Guildenstern. Claudius says that except for the death of Hamlets father, hes clueless as to why Hamlet is upset. (Uh huh.) He asks them very nicely to try to figure out whats wrong so Claudius can help. (Now Claudius might well be sincere.) Gertrude says she wants them to make Hamlet happy, and that the good and generous king will reward them well. Both say how much they appreciate the opportunity, and Claudius thanks them. Often a director will have Claudius call each by the others name, and Gertrude point out which is which (lines 33-34). They go off to find Hamlet. Polonius comes in and announces that the ambassadors from Norway have returned, and that after their report he will tell them why Hamlet is acting strange. Gertrude thinks that Hamlet is simply distressed over his fathers death (which Claudius thought of) and her remarriage (which Claudius pretended he couldnt think of.)The ambassadors are back from Norway. Fortinbras was indeed mounting an army to attack Claudiuss Denmark. The King of Norway was sick and supposedly thought Fortinbras was going to invade Poland instead. (Uh huh.) When he learned the truth, the King of Norway arrested Fortinbras, made him promise not to invade Denmark, and paid him to invade Poland instead. The King of Norway now requests that Claudius let Fortinbras pass through Denmark for the invasion. (Denmark is on the invasion route from Norway to Poland if the Norwegian army is to cross the sea to Denmark. And we know a sea-invasion was expected from the amount of shipbuilding mentioned in I.i.) This all seems fake and for show, and probably Claudius (who doesnt seem at all surprised) and the King of Norway had an understanding beforehand. .ueb331d4f98d1e5f251e11571ddebbcd5 , .ueb331d4f98d1e5f251e11571ddebbcd5 .postImageUrl , .ueb331d4f98d1e5f251e11571ddebbcd5 .centered-text-area { min-height: 80px; position: relative; } .ueb331d4f98d1e5f251e11571ddebbcd5 , .ueb331d4f98d1e5f251e11571ddebbcd5:hover , .ueb331d4f98d1e5f251e11571ddebbcd5:visited , .ueb331d4f98d1e5f251e11571ddebbcd5:active { border:0!important; } .ueb331d4f98d1e5f251e11571ddebbcd5 .clearfix:after { content: ""; display: table; clear: both; } .ueb331d4f98d1e5f251e11571ddebbcd5 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ueb331d4f98d1e5f251e11571ddebbcd5:active , .ueb331d4f98d1e5f251e11571ddebbcd5:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ueb331d4f98d1e5f251e11571ddebbcd5 .centered-text-area { width: 100%; position: relative ; } .ueb331d4f98d1e5f251e11571ddebbcd5 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ueb331d4f98d1e5f251e11571ddebbcd5 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ueb331d4f98d1e5f251e11571ddebbcd5 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ueb331d4f98d1e5f251e11571ddebbcd5:hover .ctaButton { background-color: #34495E!important; } .ueb331d4f98d1e5f251e11571ddebbcd5 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ueb331d4f98d1e5f251e11571ddebbcd5 .ueb331d4f98d1e5f251e11571ddebbcd5-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ueb331d4f98d1e5f251e11571ddebbcd5:after { content: ""; display: block; clear: both; } READ: Slavery - Life On The Plantations EssayAs before, Polonius can be a foolish busybody or a sinister old man. (Foolish busybodies do not usually become chief advisors to warrior-kings.) Polonius launches into a verbose speech about finding the cause of madness, prompting the queen to tell him to get to the point (More matter with less art; the queen actually cares about Hamlet.) He reads a love letter from Hamlet. Its about the genuineness of his love. Polonius asks the king, What do you think of me? The king replies, You are a man faithful and honorable. Now Polonius tells a lie. He emphasizes that he had no knowledge of Hamlets love for Ophelia until she told him and gave him the love letter. Polonius tells how he forbade Ophelia to see or accept messages from Hamlet. Polonius does not mention the wrist-grabbing episode. He then reminds the king of how reliable an advisor he has always been, and says Take this from this (my head off my shoulders, or my insignia of office from me; the actor will show which is meant) if this be otherwise. He finishes, If circumstances lead me i.e., allow, I will find / Where truth is hid, though it were hid indeed / Within the center of the earth. He suggests he and the king hide and watch Ophelia and Hamlet. Polonius likes to spy. At this time, Hamlet (who may have been eavesdropping), walks in reading a book. Polonius questions him, and Hamlet pretends to be very crazy by giving silly answers. They are pointed, referring to the dishonesty of Polonius (To be honest, as this world goes, is to be one man picked out of ten thousand.) Hamlet is well-aware that Polonius has forbidden Ophelia to see him, and he refers obliquely to this. Polonius notes in an aside (a movie director would use a voice-over), Though this be madness, yet there is method in it another famous line often misquoted. The speech of the insane, as Polonius notes, often makes the best sense. Polonius leaves, and Rosencrantz and Guildenstern (who have been watching) enter. Hamlet realizes right away that they have been sent for. They share a dirty joke about Lady Lucks private parts which would have been very funny to Shakespeares contemporaries, and Hamlet calls Denmark a prison. When they disagree (Humor a madman), Hamlet says There is nothing either good or bad but thinking makes it so. To me it is a prison. (Note that Hamlet is obviously not referring to the idea that there are no moral absolutes as do certain contemporary multiculturalists.) The idea that attitude is everything was already familiar from Montaigne, and from common sense.